The Load-Up

by Larry Chamberlin   Feb 19, 2012


All around me,
separated four or five to a pen,
goats, rabbits and sheep
are color coded
with magic marker stripes
for the slaughter house
to which they are destined.

Each trailer pulls up
with the same routine:
steers loaded first
separator gate closed
then pigs, goats and lambs,
FFA projects for the year.

Each living creature loved
and nurtured by one
young girl or boy;
nursed through sickness
exercised for strength
and fed for firm marbling
to win the prize of auction.

Now the show is over
the auction is closed
and these near-pets
are nothing but meat
waiting for delivery
to tables and freezers.

Lady Ba Ba looks around;
she tolerates me only
because I feed her
when Jessica cannot;
it is her mistress she seeks
in the chaos of this final hour -
the child she trusts.

When her human comes, they will fly
back to the barn and frolic
as lambs will do
and life will go on
for ever after.
Again, Lady searches for her.
But farewell was made last night
with a rich meal of syrupy grain
and full body hugs,
followed by tears on the pillow
(shared only with her mom).

Today I came alone
to bear witness
because we owe it to her
having brought her this far;
from my hand she takes
a bit leftover
from last night's supper;
final words of thanks
are whispered to her.

Before I watch her taken away
my order is placed
for her remains to be
dressed for grilling.

3


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Latest Comments

  • 12 years ago

    by Jon914

    I enjoyed this one

  • 12 years ago

    by Sunshine

    Weekly Contest, Judge comment:

    Twice since last week, Larry has turned up in the mix of contest nominees and twice he's given me reason to read your entire collection here on PnQ. This was amazing.

    The first half of the poem was intriguing to me - I've never grown up around livestock. You did well to write the poem this way.

    You described the atmosphere/scenario so well in terms of what was going on in the 'real' world. There's more, though! This heartfelt little side story connecting your daughter to the animal, which turns out to be the real story in the end.

    The contrast between the reality of what you're having carried out versus the importance of the relationship between Jess and the sheep is phenomenal. Like a perfect black and white balance - incredibly rough, but with so much tender emotion tucked underneath.

    Congratulations on having written such a great poem

  • 12 years ago

    by sibyllene

    This one got me. The language is very simple and almost expository, but there's this tight, tension-filled juxtaposition of ideas that makes the whole thing very wrenching. That tension, of course, comes from the presence of a well-cared-for animal that was always bound to be sold for meat. It's morally superior to alternative methods of "meat-raising," of course, but there is extra pain precisely due to that loving care.

    You express this tension in several places. The balancing of a bright, playful "magic marker" with "slaughter house" in the next line is jarring and effective. Your third stanza does it again, where you mix in "marbled meat" with other ministrations.

    And, ok, the Disney-raised part of me made me tear up when the sheep is looking for your daughter. GAH! I needed to comment on this, if for no other reason than that it made me so emotional.

  • 12 years ago

    by End Of Eternity

    Everything i could think of...has already been said above.
    Its not an easy task to convert such emotional moment to a poem..atleast its not for me. You really did well as all the time while reading...the words formed a movie in my mind & i could watch it.
    Great write.

    all the best and take care

  • 12 years ago

    by Hellon

    I had some mixed feeling while reading this to be honest and...you probably know why. It must have been very difficult for you to watch your daughter's pain as she was separated from what (by giving it a name) had become a pet to her...but it will probably be a learning curve for her. I had chooks (chickens in your language haha) and planned on fattening them up to eat..while collecting their eggs in the meantime so never did name them. Then someone gave me a rooster which I did name...Mr Hannigan from Rooster Hannigan in Annie and that was the end of any plans I had to eat them. Eventually foxes ate them instead. Even Mr Hannigan was taken and....I was devestated.

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