Highlighting Black Poets.

To keep the momentum going, thought we could highlight and lift up and read the work of Black poets. Langston Hughes and Audre Lorde come to mind, but some more recent ones that hold such meaning:

"A Small Needful Fact" by: Ross Gay

"Is that Eric Garner worked
for some time for the Parks and Rec.
Horticultural Department, which means,
perhaps, that with his very large hands,
perhaps, in all likelihood,
he put gently into the earth
some plants which, most likely,
some of them, in all likelihood,
continue to grow, continue
to do what such plants do, like house
and feed small and necessary creatures,
like being pleasant to touch and smell,
like converting sunlight
into food, like making it easier
for us to breathe."

___________________________

"juxtaposing the black boy & the bullet" by: Danez Smith

"one is hard & the other tried to be

one is fast & the other was faster

one is loud & one is a song
with one note & endless rest

one's whole life is a flash

both spend their life
trying to find a warmth to call home

both spark quite the debate,
some folks want to protect them/some think we should just get rid
of the damn things all together."

"TO THE EXTENT X BODY INCLUDING ITS FISTS CONSTITUTE “WEAPONS”
by Dave Harris

The word weapon is

vague. All bodies weapon.

Some bodies weapon louder

than others. Example: to find

freedom you cross the street

when you see me. Perhaps, then,

to find freedom I come after you.

The word you is vague. When I say you,

I most often mean INSERT X

WHITE PERSON HERE. I hate

what this country has done

to my language. I is always me. I is

Black. I is not a weapon though I will

become one when the time comes.

You is everywhere. You kill first

ask questions never. A weapon is

just a tool. Your skin is a weapon. My skin

is a defense against the sun. What will I

do when you come. I imagine I will

fight. I imagine I die. Death isn’t vague.

Death most always looks like us. I most

always smile out of spite. I sometimes stay

alive out of spite. I put my body in spaces

where I know you kill. I write my name

where you don’t expect it just to watch you

tremble. I hate my anger. I hate that my anger

is my greatest joy. I say my anger is my joy and I

become a heaven on fire. Fear is a weapon

that kills. Why we all afraid

is a useless question. I don’t ask

anymore. I hope your fear doesn’t

kill me. I hope your fear changes you

again. I hope you fear what karma will

make of you. I hope you fear what I might do.

I hope you fear the death that waits for you

in my smile.

Interesting writes! Thank you for starting this thread MA :)

My all-time favorite, ofcourse! Maya Angelou and this poem just fits the situation.

Still I Rise

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don't you take it awful hard
’Cause I laugh like I've got gold mines
Diggin’ in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.

what the dead know by heart
by donte collins

"lately, when asked how are you, i
respond with a name no longer living

Rekia, Jamar, Sandra

i am alive by luck at this point. i wonder
often: if the gun that will unmake me
is yet made, what white birth

will bury me, how many bullets, like a
flock of blue jays, will come carry my black
to its final bed, which photo will be used

to water down my blood. today i did
not die and there is no god or law to
thank. the bullet missed my head

and landed in another. today, i passed
a mirror and did not see a body, instead
a suggestion, a debate, a blank

post-it note there looking back. i
haven't enough room to both rage and
weep. i go to cry and each tear turns

to steam. I say I matter and a ghost
white hand appears over my mouth"

Etheridge Knight - The Idea of Ancestry

Taped to the wall of my cell are 47 pictures: 47 black
faces: my father, mother, grandmothers (1 dead), grand-
fathers (both dead), brothers, sisters, uncles, aunts,
cousins (1st & 2nd), nieces, and nephews. They stare
across the space at me sprawling on my bunk. I know
their dark eyes, they know mine. I know their style,
they know mine. I am all of them, they are all of me;
they are farmers, I am a thief, I am me, they are thee.

I have at one time or another been in love with my mother,
1 grandmother, 2 sisters, 2 aunts (1 went to the asylum),
and 5 cousins. I am now in love with a 7-yr-old niece
(she sends me letters written in large block print, and
her picture is the only one that smiles at me).

I have the same name as 1 grandfather, 3 cousins, 3 nephews,
and 1 uncle. The uncle disappeared when he was 15, just took
off and caught a freight (they say). He’s discussed each year
when the family has a reunion, he causes uneasiness in
the clan, he is an empty space. My father’s mother, who is 93
and who keeps the Family Bible with everybody’s birth dates
(and death dates) in it, always mentions him. There is no
place in her Bible for “whereabouts unknown.”

2
Each fall the graves of my grandfathers call me, the brown
hills and red gullies of mississippi send out their electric
messages, galvanizing my genes. Last yr / like a salmon quitting
the cold ocean-leaping and bucking up his birthstream / I
hitchhiked my way from LA with 16 caps in my packet and a
monkey on my back. And I almost kicked it with the kinfolks.
I walked barefooted in my grandmother’s backyard / I smelled the old
land and the woods / I sipped cornwhiskey from fruit jars with the men /
I flirted with the women / I had a ball till the caps ran out
and my habit came down. That night I looked at my grandmother
and split / my guts were screaming for junk / but I was almost
contented / I had almost caught up with me.
(The next day in Memphis I cracked a croaker’s crib for a fix.)

This yr there is a gray stone wall damming my stream, and when
the falling leaves stir my genes, I pace my cell or flop on my bunk
and stare at 47 black faces across the space. I am all of them,
they are all of me, I am me, they are thee, and I have no children
to float in the space between.

"Complainers" by Rudy Francisco

The following are true stories.

May 26th 2003 Aron Ralston was hiking, a boulder fell on his right hand. He waited four days, then amputated his arm with a pocket knife.

On New Year’s Eve, a woman was bungee jumping in Zimbabwe. The cord broke, she then fell into a river and had to swim back to land in crocodile infested waters with a broken collarbone.

Claire Champlin was smashed in the face by a five pound watermelon being propelled by a slingshot.

Matthew Brobst was hit by a javelin.

David Striegl was punched in the mouth. By a kangaroo.

The most amazing part about these stories is when asked about the experience they all smiled, shrugged, and said “I guess things could have been worse.”

So go ahead.

Tell me that you’re having a bad day.

Tell me about the traffic. Tell me about your boss. Tell me about the job you’ve been trying to quit for the past four years. Tell me the morning is just a town house burning to the ground and the snooze button is a fire extinguisher. Tell me the alarm clock stole the keys to your smile, drove it into 7:00 AM, and the crash totaled your happiness.

Tell me! Tell me!

Tell me, how blessed are we to have tragedies so small it can fit on the tips of our tongues?

You see, when Evan lost his legs he was speechless. When my cousin was assaulted, she didn’t speak for forty eight hours. When my uncle was murdered, we had to send out a search party to find my father’s voice.
Most people have no idea that tragedy and silence have the exact same address.

When your day is a museum of disappointments hanging from events that were outside of your control, when you find yourself flailing in an ocean of “Why is this happening to me?”, when it feels like your guardian angel put in his two week notice two months ago and just decided not to tell you, when it feels like God is just a babysitter that’s always on the phone, when you get punched in the esophagus by a fistful of life, remember that every year two million people die of dehydration so it doesn’t matter if the glass is half full or half empty, there’s water in the cup.

Drink it, and stop complaining.

Muscle is created by repeatedly lifting things that have been designed to weigh us down. So when your shoulders feel heavy, stand up straight and lift your chin – call it exercise. When the world crumbles around you, you have to look at the wreckage and then build a new one out of the pieces that are still here.

Remember, you are still here.

The human heart beats approximately four thousand times per hour.

Each pulse, each throb, each palpitation is a trophy engraved with the words “You are still alive”.

You are still alive.

Act like it.

^ I LOVE Rudy! Hope to see him perform live someday.

_______________________________

"Testimonial" by Rita Dove

Back when the earth was new
and heaven just a whisper,
back when the names of things
hadn't had time to stick;

back when the smallest breezes
melted summer into autumn,
when all the poplars quivered
sweetly in rank and file . . .

the world called, and I answered.
Each glance ignited to a gaze.
I caught my breath and called that life,
swooned between spoonfuls of lemon sorbet.

I was pirouette and flourish,
I was filigree and flame.
How could I count my blessings
when I didn't know their names?

Back when everything was still to come,
luck leaked out everywhere.
I gave my promise to the world,
and the world followed me here.

Oh, I love this! I was going to add a Maya Angelou poem, but I don't want to repeat a poet when there are (and have been) so many noteworthy black poets.

Neither of these poems are for the faint of heart.

Power
BY AUDRE LORDE

The difference between poetry and rhetoric
is being ready to kill
yourself
instead of your children.

I am trapped on a desert of raw gunshot wounds
and a dead child dragging his shattered black
face off the edge of my sleep
blood from his punctured cheeks and shoulders
is the only liquid for miles
and my stomach
churns at the imagined taste while
my mouth splits into dry lips
without loyalty or reason
thirsting for the wetness of his blood
as it sinks into the whiteness
of the desert where I am lost
without imagery or magic
trying to make power out of hatred and destruction
trying to heal my dying son with kisses
only the sun will bleach his bones quicker.

A policeman who shot down a ten year old in Queens
stood over the boy with his cop shoes in childish blood
and a voice said “Die you little mother******” and
there are tapes to prove it. At his trial
this policeman said in his own defense
“I didn't notice the size nor nothing else
only the color”. And
there are tapes to prove that, too.

Today that 37 year old white man
with 13 years of police forcing
was set free
by eleven white men who said they were satisfied
justice had been done
and one Black Woman who said
“They convinced me” meaning
they had dragged her 4'10'' black Woman's frame
over the hot coals
of four centuries of white male approval
until she let go
the first real power she ever had
and lined her own womb with cement
to make a graveyard for our children.

I have not been able to touch the destruction
within me.
But unless I learn to use
the difference between poetry and rhetoric
my power too will run corrupt as poisonous mold
or lie limp and useless as an unconnected wire
and one day I will take my teenaged plug
and connect it to the nearest socket
raping an 85 year old white woman
who is somebody's mother
and as I beat her senseless and set a torch to her bed
a greek chorus will be singing in 3/4 time
“Poor thing. She never hurt a soul. What beasts they are.”

--

Ballad of Birmingham
BY DUDLEY RANDALL
(On the bombing of a church in Birmingham, Alabama, 1963)

“Mother dear, may I go downtown
Instead of out to play,
And march the streets of Birmingham
In a Freedom March today?”

“No, baby, no, you may not go,
For the dogs are fierce and wild,
And clubs and hoses, guns and jails
Aren’t good for a little child.”

“But, mother, I won’t be alone.
Other children will go with me,
And march the streets of Birmingham
To make our country free.”

“No, baby, no, you may not go,
For I fear those guns will fire.
But you may go to church instead
And sing in the children’s choir.”

She has combed and brushed her night-dark hair,
And bathed rose petal sweet,
And drawn white gloves on her small brown hands,
And white shoes on her feet.

The mother smiled to know her child
Was in the sacred place,
But that smile was the last smile
To come upon her face.

For when she heard the explosion,
Her eyes grew wet and wild.
She raced through the streets of Birmingham
Calling for her child.

She clawed through bits of glass and brick,
Then lifted out a shoe.
“O, here’s the shoe my baby wore,
But, baby, where are you?”

Just thought I'd add this one as I mentioned this poet in Danny's thread...

Colour Blind – A poem
Posted on October 9, 2011 by Lemn Sissay
Colour Blind By Lemn Sissay

If you can see the sepia in the sun
Shades of grey in fading streets
The radiating bloodshot in a child’s eye
The dark stains on her linen sheets
If you can see oil separate on water
The turquoise of leaves on trees
The reddened flush of your lover’s cheeks
The violet peace of calmed seas

If you can see the bluest eye
The purple in petals of the rose
The blue anger, the venom, of the volcano
The creeping orange of the lava flows
If you can see the red dust of the famished road
The white air tight strike of nike’s sign
the skin tone of a Lucien Freud
The colours of his frozen subjects in mime

If you can see the white mist of the oasis
The red, white and blue that you defended
If you can see it all through the blackest pupil
The colours stretching the rainbow suspended
If you can see the breached blue dusk
And the caramel curls in swirls of tea
Why do you say you are colour blind when you see me?

"The Stuff of Astounding: A Poem for Juneteenth"
By: Patricia Smith

Unless you spring from a history that is smug and reckless, unless

you’ve vowed yourself blind to a ceaseless light, you see us. We

are a shea-shined toddler writhing through Sunday sermon, we are

the grizzled elder gingerly unfolding his last body. And we are intent

and insistent upon the human in ourselves. We are the doctor on

another day at the edge of reason, coaxing a wrong hope, ripping

open a gasping body to find air. We are five men dripping from the

burly branches of young trees, which is to say that we dare a world

that is both predictable and impossible. What else can we learn from

suicides of the cuffed, the soft targets black backs be? Stuck in its

rhythmic unreel, time keeps including us, even as our aged root

is doggedly plucked and trampled, cursed by ham-fisted spitters in

the throes of a particular fever. See how we push on as enigma, the

free out loud, the audaciously unleashed, how slyly we scan the sky—

all that wet voltage and scatters of furious star—to realize that we

are the recipients of an ancient grace. No, we didn’t begin to live

when, on the 19th June day of that awkward, ordinary spring—with

no joy, in a monotone still flecked with deceit—Seems you and these

others are free. That moment did not begin our breath. Our truths—

the ones we’d been birthed with—had already met reckoning in the

fields as we muttered tangled nouns of home. We reveled in black

from there to now, our rampant hue and nap, the unbridled breath

that resides in the rafters, from then to here, everything we are is

the stuff of astounding. We are a mother who hums snippets of gospel

into the silk curls of her newborn, we are the harried sister on the

elevator to the weekly paycheck mama dreamed for her. We are black

in every way there is—perm and kink, upstart and elder, wide voice,

fervent whisper. We heft our clumsy homemade placards, we will

curl small in the gloom weeping to old blues ballads. We swear not

to be anybody else’s idea of free, lining up precisely, waiting to be

freed again and again. We are breach and bellow, resisting a silent

consent as we claim our much of America, its burden and snarl, the

stink and hallelujah of it, its sicknesses and safe words, all its black

and otherwise. Only those feigning blindness fail to see the body

of work we are, and the work of body we have done. Everything is

what it is because of us. It is misunderstanding to believe that free

fell upon us like a blessing, that it was granted by a signature and

an abruptly opened door. Listen to the thousand ways to say black

out loud. Hear a whole people celebrate their free and fragile lives,

then find your own place inside that song. Make the singing matter.

Wonderful choice! Juneteenth, for those who don’t know, commemorates African American freedom in the United States.

This poem is so brimful of conflicted feelings that only when one is BLACK and WOMAN, one could sense the prime dept of hurt and disappointment which a fellow human being could experience.
It makes me cry. A true story

Audio of this by the poet::
https://soundcloud.com/poets-org/gwendolyn-brooks-ballad-of-pearl-may-lee

Ballad of Pearl May Lee

Then off they took you, off to the jail,
A hundred hooting after.
And you should have heard me at my house.
I cut my lungs with my laughter,
Laughter,
Laughter.
I cut my lungs with my laughter.

They dragged you into a dusty cell.
And a rat was in the corner.
And what was I doing? Laughing still.
Though never was a poor gal lorner,
Lorner,
Lorner,
Though never was a poor gal lorner.

The sheriff, he peeped in through the bars,
And (the red old thing) he told you,
“You son of a b itch, you’re going to hell!”
‘Cause you wanted white arms to enfold you,
Enfold you,
Enfold you.
‘Cause you wanted white arms to enfold you.

But you paid for your white arms, Sammy boy,
And you didn’t pay with money.
You paid with your hide and my heart, Sammy boy,
For your taste of pink and white honey,
Honey,
Honey.
For your taste of pink and white honey.

Oh, dig me out of my don’t-despair.
Pull me out of my poor-me.
Get me a garment of red to wear.
You had it coming surely,
Surely,
Surely,
You had it coming surely.

At school, your girls were the bright little girls.
You couldn’t abide dark meat.
Yellow was for to look at,
Black was for the famished to eat.
Yellow was for to look at,
Black for the famished to eat.

You grew up with bright skins on the brain,
And me in your black folks bed.
Often and often you cut me cold,
And often I wished you dead.
Often and often you cut me cold.
Often I wished you dead.

Then a white girl passed you by one day,
And, the vixen, she gave you the wink.
And your stomach got sick and your legs liquefied.
And you thought till you couldn’t think.
You thought,
You thought,
You thought till you couldn’t think.

I fancy you out on the fringe of town,
The moon an owl’s eye minding;
The sweet and thick of the cricket-belled dark,
The fire within you winding…
Winding,
Winding…
The fire within you winding.

Say, she was white like milk, though, wasn’t she?
And her breasts were cups of cream.
In the back of her Buick you drank your fill.
Then she roused you out of your dream.
In the back of her Buick you drank your fill.
Then she roused you out of your dream.

“You raped me, nigger,” she softly said.
(The shame was threading through.)
“You raped me, nigger, and what the hell
Do you think I’m going to do?
What the hell,
What the hell
Do you think I’m going to do?

“I’ll tell every white man in this town.
I’ll tell them all of my sorrow.
You got my body tonight, nigger boy.
I’ll get your body tomorrow.
Tomorrow.
Tomorrow.
I’ll get your body tomorrow.”

And my glory but Sammy she did! She did!
And they stole you out of the jail.
They wrapped you around a cottonwood tree.
And they laughed when they heard you wail.

And I was laughing, down at my house.
Laughing fit to kill.
You got what you wanted for dinner,
But brother you paid the bill.
Brother,
Brother,
Brother you paid the bill.

You paid for your dinner, Sammy boy,
And you didn’t pay with money.
You paid with your hide and my heart, Sammy boy,
For your taste of pink and white honey,
Honey,
Honey.
For your taste of pink and white honey.

Oh, dig me out of my don’t-despair.
Oh, pull me out of my poor-me.
Oh, get me a garment of red to wear.
You had it coming surely.
Surely.
Surely.
You had it coming surely.

Dreams
Langston Hughes - 1902-1967

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.

Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.